In the early 1970s Penone used his body as his principal subject, projecting images drawn from the surface of his skin on to plaster casts of his face or on to wall surfaces. In 1975, after uncovering an ancient vase with its maker's fingerprints still intact, he continued this procedure of transferring images from one surface to another, creating a series of bronze vessels that mingled his own fingerprints with those from the past. Vessels, fingerprints and body images reappeared in a variety of forms and combinations in other work from this decade, along with vegetables grown into the shape of the artist's face and cast into bronze. In the 1980s he added large agricultural tools made of metal, terracotta and wood to his stockpile of images, reaffirming his interest in forms that link man to the natural world.
Giuseppe Penone (exh. cat., ed. J.-C. Ammann; Lucerne, Kstmus., 1977) [excellent pls; texts in Ger. and Eng.]
Giuseppe Penone (exh. cat. by G. Celant and Z. Felix, Essen, Mus. Flkwang, 1978)
Giuseppe Penone (exh. cat., ed. J. Bradley; Ottawa, N.G., 1984)
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