Attributed to Marcus Gheeraerts II Portrait of an Unknown Lady
Richard Cork extols the restraint that lies behind Tate Britain’s haunting Elizabethan masterpiece
English visual art contains a wealth of bondage imagery, particularly from Aubrey Beardsley, the master of the whiplash line. James ...
Richard Holloway, Edward Allington, David Austen and Ben Faccini reflect on a work in the Tate collection