After 1974 and for the remainder of the 1970s Acconci's presence was only registered at most through recorded tapes of his voice. He also used video and film in his work, as in the installation VD Lives/TV Must Die (1978) at the Kitchen in New York. This consisted of two TV monitors through which erotic images and sounds were played and in front of which were metal balls on stretched elastic bands, poised to smash the monitors. In the 1980s Acconci turned to permanent sculptures and installations, as in Instant House (1980; La Jolla, CA, Mus. Contemp. A.), in which the four sides of a house were pulled together by ropes by the viewer inside. He also produced sculpture and furniture made from natural and incongruous mass-produced objects, as in Garbage Seating (1986; see 1987 exh. cat., p. 39), made from dustbins, earth and tree branches.
Vito Acconci: A Retrospective, 1969–1980 (exh. cat. by J. R. Kirshner, Chicago, IL, Mus. Contemp. A., 1980)
Vito Acconci: Domestic Trappings (exh. cat. by R. J. Onorato, La Jolla, CA, Mus. Contemp. A., 1987)
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