Arman first presented debris as art in his poubelle (dustbin) works in 1959. The objects in this piece are from his first wife's bathroom and are mounted on an ornamental base from his father's antique shop. Objects of intimate personal use have been selected precisely because of their base quality, and are literally 'elevated' on a plinth to become art. Arman raises questions about value, bringing private life into the public domain. Here, he also examines the image of woman constructed by society.