- Acrylic paint and oil enamel paint on canvas and wood
- Support: 813 x 914 x 51 mm
- Purchased 1972
Stephen Buckley b.1944
T01684 Nice 1972
Inscribed on reverse (on top bar of second highest stretcher) ‘NICE 1972/ Stephen Buckley’, with arrow indicating top.
Construction of wooden stretchers and acrylic with oil enamel on canvas strips, 31¿x35½ x 2 (81 x 90·2 x 5·1).
Purchased from Kasmin Ltd (Knapping Fund) 1972.
Exh:Kasmin Ltd, October–November 1972; From Henry Moore to Gilbert & George, Palais des Beaux Arts, Brussels, September–November 1973 (122,repr.).
Frames, stretchers, and interwoven textures have been used frequently in Buckley’s work for several years.
The artist wrote (March 1974) that the title of T01684 referred both to the adjective and to the place, and that it was painted immediately after a painting called ‘Cannes’ (of which there is also a later version).
‘A friend had been clearing out his attic and found a great many old stretchers which he gave to me as he isn’t a painter.
‘So I worked very quickly for a week to see what I could do without pondering too much and Nice was one of the results. The others were:
After Kandinsky 1972
Crazy Paving 1972 (the stuffed one)
Split face 1972
no title 1972
Mr and Mrs H.H. 1972
‘It was a method to make three stretchers (interleaved) hold together as one with the woven canvas acting structurally. I cheated by putting three nails in the back when the whole thing warped whilst drying. But its still a nice picture of Nice. The paint is acrylic with white oil enamel applied before the water-based acrylic had dried.’ This work was made at the artist’s studio at 8 Fitzroy Road, London N.W.I.
Published in The Tate Gallery Report 1972–1974, London 1975.