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Choucair is one of the few Lebanese artists of her generation devoted to geometric abstraction. Composition in Blue Module dates from the late 1940s and early 1950s, when she was studying in Paris. Its palette of blues, purple and lighter tones shows the subtle shifts of colour that characterised her early painting. Like many of her paintings, it uses the two basic elements of Islamic design – the straight line and the curve –as a starting point to create simple shapes which she duplicates in various combinations and divisions across the picture plane.

February 2016