Cecil Collins, Sybil 1960
© Tate
Summary
Sybils, the women prophets of Greek and Roman legend, frequently appeared in Collins’s paintings and prints. He recounted in an interview in 1979: ‘They [Sybils] seem to be visions of certain functions of the feminine soul – prophetic, oracular, sometimes coming out of caves, guardians of altars, uttering prophesies. They are, as it were, the voice of the unknown or entries into the unknown land, guarded in my paintings, I think seldom by a man but practically always, by a woman or an Angel’ (Cecil Collins, ‘Theatre of the Soul’, interviews, 27 September and 13 October 1979, Keeble, p.121).
Collins pursued his vision of a lost paradise, destroyed by the mechanisation of the modern world, throughout his lifetime. Creating his own version of archetypal figures, such as the Fool and the Angel, Collins attempted to reveal to us our innermost selves. These figures, he believed, represented an innocence that had ceased to exist in the ‘Machine Age’ (Keeble, p.73)… (read more)
Collins pursued his vision of a lost paradise, destroyed by the mechanisation of the modern world, throughout his lifetime. Creating his own version of archetypal figures, such as the Fool and the Angel, Collins attempted to reveal to us our innermost selves. These figures, he believed, represented an innocence that had ceased to exist in the ‘Machine Age’ (Keeble, p.73)… (read more)
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