The title of this picture and the showiness of the woman looking brazenly at the viewer suggest that she works as a prostitute. The bright colours and brilliant finish reveal Collinson’s Pre-Raphaelite past. He was one of the original members of the Brotherhood but he could not reconcile their ideas with his Catholic faith and he resigned. After a brief period training to become a priest he resumed his artistic career in 1854. His subsequent paintings like this one show anecdotal subjects and moralizing scenes from everyday life – the sort of paintings against which the Pre-Raphaelites rebelled.