View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Cozens began this drawing by applying a broad wash in the main areas of sky and the hills surrounding the lake, which was formed in the crater of an extinct volcano. He then used a brush loaded with dark brown-black ink loosely to describe the features of the landscape; in some places he used a brush that had almost run dry of ink. Cozens's use of a mixture of brown and black ink contrasts with his other drawings in this section, where he has used washes of a single colour to give either warm or cool tones to his drawing.
Gallery label, August 2004