Catalogue entry

Not inscribed.
Polished brass, 12 1/2×7×9 (32×18×23).
Presented by the Executors of T.E. Lawrence in accordance with his wishes 1960.
Coll: Purchased by T.E. Lawrence from the artist 1923 and lent to the Tate Gallery from 1923 until presented.
Exh: Venice Biennale, 1928 (British Pavilion, 32, repr. pl.112).
Lit: John Rothenstein, The Tate Gallery, 1958, p.190, repr. pl.16.
Repr: Mortimer, 1926, pl.2; E. H. Ramsden, Twentieth Century Sculpture, 1949, pl.6; E. H. Ramsden, Sculpture: Theme and Variations, 1953, pl.44b; Sir John Rothenstein, British Art since 1900, 1962, pl.93.

Sir Osbert Sitwell, 5th Bt. (b. 1892), writer of short stories, travel books, essays, poetry and art criticism. Trustee of the Tate Gallery, 1951–8. C.B.E. 1956. Brother of Edith and Sacheverell Sitwell.

In his initial letter offering the head T. E. Lawrence, writing under the name of J. H. Ross, said (5 February 1923): ‘Another insidious attempt to embroil you with Mr F. Emanuel! Dobson the sculptor (14 Trafalgar Studios, Manresa Road, Chelsea) did a head in polished brass of Osbert Sitwell. Appropriate, authentic and magnificent, in my eyes. I think it's his finest piece of portraiture and in addition it's as loud as the massed bands of the Guards.’ Frank Emanuel, the painter (q.v.), was carrying on a campaign against modern art.

Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I