Technique and condition
The sculpture consists of five units; four assembled units and one single unit. Each unit was originally made as a separate piece and then brought together to form a compatible group.
The first assembled unit is made up of four parts: A large hollow, plaster filled, grey-fabric form and a solid plaster form, encased in purple felt. This purple element is inserted into a cavity in the top of the grey element. Two red mail-bags are rolled-up and placed around the base of the grey element. The second assembled unit is made up of three parts: A large solid plaster form, encased in multi-coloured cotton fabric with two fluorescent pink Perspex shapes inserted into the top through an incision in the fabric and into the plaster. The third assembled unit is made up of two parts: A solid plaster form encased in green velvet-like fabric. This form is displayed horizontally, supported by a double-wedge shaped fibre-board element covered in brown patterned fabric. The final assembled unit consists of two parts: A solid plaster form encased in orange fabric. A hole has been drilled into the top of the form into which a dried flower is inserted. The single unit consists of a solid plaster form encased in green felt and brown cotton fabric. The five units are enclosed within a circle of white tape: Paragon Non-Stretch Adhesive Cotton Strapping.
Each of the five units was made by stitching or stapling cloth into certain shapes. These shapes were filled with wet plaster, the weight and pressure of the plaster from within creating the full form and giving tension to the surface. Different effects were achieved by allowing the plaster to harden then reversing the form as with the brown single unit, or by resting the form on the floor before the plaster was fully hardened, creating bends and folds as it sagged, as with the patterned grayish unit. The only hollow form, the large central element, was made by flicking wet plaster onto the inside of an open bag shape. As noted by Charles Harrison in 1969, for Flanagan the process formed the material.
By June 2000 the original wedge support in the third assembled element had completely collapsed and no longer had adequate strength to support the horizontal green plaster form. The plaster, which had been poured into the fibre-board structure, had broken and disintegrated into many small pieces. With the artists’ consent, the internal structure of this element was remade by Sculpture Conservator, Stella Willcocks. The structural condition of the second assembled unit remains vulnerable where this element was previously broken. The remaining elements are structurally stable however there are several small losses and tears in the fabric coverings. Damage to the edges around the cavity in the central hollow element has also been consolidated and strengthened.