Thomas Girtin

The White House at Chelsea

1800

View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Medium
Watercolour on paper
Dimensions
Support: 298 x 514 mm
Collection
Tate
Acquisition
Bequeathed by Mrs Ada Montefiore 1933
Reference
N04728

Display caption

This, Girtin's most celebrated work, was much admired by Turner. According to an anecdote, 'A dealer went one day to Turner, and after looking round at all his drawings in the room, had the audacity to say, I have a drawing out there in my hackney coach, finer than any of yours. Turner bit his lip, looked first angry, then meditative. At length he broke silence: Then I tell you what it is. You have got Tom Girtin's White House at Chelsea'. The focus of the watercolour, the white house itself, is created by leaving the paper more or less unpainted. The windmill at the left was known as Red House Mill. Beyond it is the horizontal windmill at Battersea and towards the right Chelsea Parish Church.

Gallery label, September 2004

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Thomas Girtin's gem: 'The White House at Chelsea'

This is one of the most famous of English watercolours, partly because it was venerated by Turner.

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