Arthur Hacker The Annunciation 1892

Artwork details

Artist
Arthur Hacker 1858–1919
Title
The Annunciation
Date 1892
Medium Oil paint on canvas
Dimensions Support: 2311 x 1257 mm
Collection
Tate
Acquisition Presented by the Trustees of the Chantrey Bequest 1892
Reference
N01576
Not on display

Catalogue entry

N01576 THE ANNUNCIATION 1892
 
Inscr. ‘Arthur Hacker 92.’ b.r.
Canvas, 91×49 1/2 (231×126).
Chantrey Purchase from the artist 1892.
Exh: R.A., 1892 (901).
Lit: George Moore, Modern Painting, 1898, pp.125–6; Rose G. Kingsley, ‘The Annunciation’ in Art Journal, 1901, p.8, etching repr. facing p.9.
Repr: Royal Academy Pictures, 1892, p.122; Sir Edward J. Poynter, The National Gallery, 111, 1900, p.105; Famous Pictures of the World, n.d. (in colour).

Rose Kingsley (loc. cit.) sees in this a movement towards the ideal, as a reaction against terre-à-terre realism, and links the artist with Puvis de Chavannes, Gustave Moreau and Dagnan-Bouveret, among others. ‘It is the “beyond” in one form or another that each is striving for in his own way, according to his personal temperament.’

Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, I

About this artwork