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Hepworth became a member of a Paris-based group called Abstraction-Création in 1933. As her outlook became increasingly international she experimented more with abstraction, producing multi-part sculptures that reconciled natural forms with abstract shapes.
This work reflects Hepworth’s experience of motherhood – she carved it while pregnant. It also shows how she had recently developed a new range of abstract forms by carving holes into her sculptures. The critic Herbert Read thought this ‘a new venture which may succeed in redeeming art from its present triviality and insignificance’.