Technique and condition
Painted in slabs of colour often applied in broad brush strokes, the colours are mainly whites, greys, mars black unmixed zinc and cadmium yellows, cadmium red and synthetic ultramarine blue. The variations in the underlying painting and superimposition of new colour has left a surface of variable saturation which is not varnished. Some areas of white primer and earlier thinly scumbled colour remain visible.
The condition of the painting on acquisition reflected its complex structure and history. The back of the degraded hardboard had been stained by water, the timber framework was detaching despite having been repinned and all the edges eroded. The front was covered with dirt and mould spots and scarred by scuffs and gouges. Most seriously, many areas of paint had cracked, begun to detach themselves from the board and in a few areas flaked off in large scales of paint. This had occurred predominantly in the thicker slabs and runs of brittle, black paint. The force of their contraction was sufficient to break the bond between the underlying white primer and the board. In other areas the top paint layer had developed open cracks revealing the colour below as it contracted without detaching from the board.
On acquisition the painting received four main types of treatment. The detaching paint was consolidated, the dirt removed, the board repaired and supported with a new secondary support panel and the majority of losses of paint restored. The general wear to the surface was retained. To provide protection to the friable edges a simple narrow wood frame was fitted.