Hilton made a number of paintings like this which were said to have been influenced by the work of Piet Mondrian. In Amsterdam a little earlier, Hilton had seen Mondrian’s abstract compositions of primary colours inserted into black and white grids. Hilton laid his paint on in thick areas which abut, avoiding any overlap or mixing of paint. In this way he stresses the physical presence of the painting as an object. Typically, however, one can still discern references to the human body; the black areas have been read as references to arms, legs and breasts.