- Part of
- Courage to Print
- Original title
- Das Medium der Fotografie ist berechtigt Denkanstösse zu geben
- Screenprint on paper
- Image: 840 x 593 mm
- Purchased 2005
German artist Martin Kippenberger produced this poster on the occasion of a group exhibition staged at the Kunstverein in Hamburg between March and May 1989. Including contributions from Kippenberger as well as the artists Sigmar Polke, Georg Herald and Markus and Albert Oehlen, the exhibition’s poster features as its primary image the triumphal chariot on top of the Brandenburg Gate in Berlin.
Though prolific as a painter, sculptor, musician and writer, the 178 posters created by Kippenberger throughout his career form a significant body of work. Normally created as screen prints or lithographs in standard advertisement sizes, they were used to promote a wide variety of events from art exhibitions to upcoming parties. From 1986 Kippenberger began to group his posters into folios, though these were united more by date than by similarity of style or function. This work forms part of the fourth of Kippenberger’s five folios, Courage to Print. Published in 1990 in an edition of twenty-five, each folio contained twenty-eight posters made between 1988 and 1990.
Kippenberger’s posters belong to the mass of apparently supplementary material produced by the artist throughout his career that parallels his work in painting, sculpture, installation and performance. However, like his books, pamphlets and literary and musical projects, the posters share with his more conventional artworks the desire to undermine the accepted structures of the art world by defying attempts to understand his artistic output as a whole, by blatantly embracing collaboration, and by actively involving himself in the promotion and reception of his work. As the artist Jutta Koether wrote on the occasion of the 2006 Kippenberger exhibition at Tate Modern:
Martin’s posters best represent him and sum up the range of his ability: the humour, the social critique, the clever combination of provocative images and allusions. They were critical and politicised, perfectly expressing his ideas and his personality.
(Jutta Koether in Tate Etc., no.6, Spring 2006, p.36.)
Bice Curiger and Guido Magnaguagno, Martin Kippenberger: Die Gesamten Plakate 1977–1997, Cologne 1998, p.115.
Doris Krystof and Jessica Morgan (eds.), Martin Kippenberger, exhibition catalogue, Tate Modern, London 2006.
Ann Goldstein (ed.), Martin Kippenberger: The Problem Perspective, exhibition catalogue, Museum of Contemporary Art, Los Angeles 2008.
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