T03488 Seated Man with Clarinet I 1920
Plaster coated with shellac 30 1/2 × 11 1/2 × 11 (775 × 293 × 280)
Inscribed on reverse at base ‘JL - V - 20’ moulded into the plaster, and ‘96’ on top of base at front, in pencil
Presented by the Lipchitz Foundation 1982
Lit: Stott 1975, 58 (bronze, as ‘1919’)
Repr: L'Esprit Nouveau, 1920, p.182
The plaster of a different version of this, ‘Seated Man with Clarinet II’ is in the collection of the University of Arizona Museum of Art (Arizona 1982, 1, repr, 30 1/2 ins. high). It differs from the Tate Gallery plaster throughout, particularly in the shape of the feet, which are pointed. Bronze casts of both sculptures were exhibited in Jacques Lipchitz, Stedelijk Museum, Amsterdam, March–May 1958 (31 and 32).
The plaster is presumably an original of 1920. The signature was transferred in the mould from the clay. A stone carving is not recorded, although a carving of the plaster at Arizona is illustrated in the catalogue Les Maîtres de l'Art Indépendant, Petit Palais, Paris, June–October 1937 (6, as ‘L'Homme Assis’).
[For T03397 and T03479 to T03534 the foundry inscriptions, and reproductions of casts in other materials in the books listed below, are recorded. Abbreviations used:
Arnason 1969 H.H. Arnason, Jacques Lipchitz: Sketches in Bronze, 1969
Lipchitz 1972 Jacques Lipchitz, My Life in Sculpture, 1972
Stott 1975 Deborah A. Stott, Jacques Lipchitz and Cubism, 1975 (reprinted 1978)
Otterlo 1977 A.M. Hammacher, Lipchitz in Otterlo, Rijksmuseum Kröller-Müller, Otterlo, 1977
Centre Pompidou 1978 Nicole Barbier, Lipchitz: oeuvres de Jacques Lipchitz (1891–1973) dans les collections du Musée National d'Art Moderne, Paris, 1978
Arizona 1982 Jacques Lipchitz. Sketches and Models in the collection of Arizona Museum of Art, Tucson, Arizona. Introduction and catalogue by Peter Bermingham, 1982]
The Tate Gallery 1982-84: Illustrated Catalogue of Acquisitions, London 1986