Summary
Since his earliest practice, begun in the late 1960s, Long has based his art on the action of walking in the natural landscape. With his seminal work, A Line Made By Walking 1967 (Tate P07149) – a photograph showing a straight line worn in a field of grass by the repeated movement of the artist’s feet over it – Long established the simple act of walking as a gesture of primordial mark-making fundamental to the creation of art. In the context of late 1960s conceptualism, Long’s act may be seen as a subversion of the traditionally expressive gesture central to painting. Walking is non-expressive, a mechanical movement which permits the body to travel from one point to another. In a similar way, the line joining one point to another is fundamental to the process of drawing – the logical means of connection on which cartography is based… (read more)
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