Technique and condition
The canvas was primed before stretching with a fairly thin layer of white oil priming.
After stretching, the first paint layer was a reasonably dark grey imprimatura layer applied directly over the whole surface. The paint layers above this are all vehicular and fairly rich in medium and have been applied exclusively with a brush. Many areas have been applied wet in wet, although a wet on dry technique is also used and there are some areas of reasonable impasto, e.g. in the white highlights of the clouds. In many areas no further paint applications were made and here the grey imprimatura layer shows through. Although there is no overall varnish, the sky had been covered with a resinous coating which has yellowed very slightly… (read more)






















