This is among the most advanced in style of Smith's paintings. It is one of a pair showing a model in the same pose from two different points of view, painted in his studio in Fitzroy Street. 'Nude No.2', which belongs to the British Council, shows the model seen from the front, and has slightly more detail in the background. Soon after these were painted Smith, who had already joined the Artists' Rifles, was called to France with the army. After the war he painted little until his stay in Cornwall in 1920.
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