- Oil paint on canvas
- Support: 870 x 765 x 20 mm
frame: 980 x 870 x 89 mm
- Presented by the Trustees of the Chantrey Bequest 1952
N06086 NUDE, FITZROY STREET, NO. I 1916
Inscr. ‘MS’ b.r.
Canvas, 34×30 (86×76).
Chantrey Purchase from Mrs Dorothy Searle 1952.
Coll: Acquired from the artist by Arthur Tooth & Sons 1942, from whom purchased by A.J.L. McDonnell June 1945; Mrs Dorothy Searle, who purchased it from the Redfern Gallery October 1949.
Exh: Jacob Epstein and Matthew Smith, Temple Newsam, Leeds, July–September 1942 (90), as ‘Nude, Fitzroy Street, No.I’; Contemporary British Paintings, Tooth's, June–July 1945 (7), as ‘Fitzroy Square [sic], No.I’; C.A.S., The Private Collector, Tate Gallery, March–April 1950 (253); R.A., 1953 (448); Tate Gallery, September–October 1953 (7, repr. pl.5); R.A., October–December 1960 (29).
Lit: Hendy, 1944, pl.6; Rothenstein, 1952, p.233, repr. facing p.235; Hendy, Halliday and Russell, 1962, at pl.7, repr. (in colour).
This and ‘Nude, Fitzroy Street No.2’ (British Council) were painted in 1916 at the artist's studio, 2 Fitzroy Street, from the same model and are the most important works of this period. In them the artist uses bold outlines and broad strokes of strong complementary colours in a manner similar to that adopted by the French Fauve painters led by Derain and Matisse. ‘Nude, Fitzroy Street, No.I’ was rejected by the London Group in 1916.
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
- emotions, concepts and ideas(15,696)