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Other academy studies in white chalk alone are on folios 6 recto and 7 recto (D04912, D04914; Turner Bequest LXXXI 11, 13). A more substantial drawing of the same figure is on folio 12 recto (D04924; Turner Bequest LXXXI 23), and another very similar is on folio 16 recto (D04932; Turner Bequest LXXXI 31). The pose may have been used for the painting The Destruction of Sodom, of about 1805 (Tate N00474);1 see under folio 3 recto (D04906; Turner Bequest LXXXI 5).
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.44 no.56, pl.66.
Much of the page, including the subject, is covered with large colour trials.