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The composition is continued on folio 18 recto opposite (D01492).
Turner made a drawing of Chepstow in the contemporary Hereford Court sketchbook (Tate D01261; Turner Bequest XXXVIII 14); another study of it in the present book, rather more worked up, is on folios 19 verso–20 recto (D01624, D01626; Turner Bequest XL 93–94). He had visited Chepstow in 1792, making drawings there (Tate D00130; Turner Bequest XII A, and verso, D40034) and a little later a watercolour of Chepstow castle (Courtauld Gallery, London),1 engraved for Walker’s Copper-Plate Magazine in 1794 (Tate impressions: T05883, T05884). Although it was an archetypal Picturesque site, described by William Gilpin (1724–1804)2 and drawn by many artists, he never made it the subject of a mature watercolour.
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After Joseph Mallord William Turner Chepstow, engraved by Walker