View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
The castellated north front of Gibside is seen on the hill south of the Lady Haugh meadow beside the River Derwent, which flows from the south-west on the right; this side of the house is now screened by trees. The drawing, including part of the façade, continues a little way across folio 7 verso opposite (D40724). The continuation was not recognised by Finberg, who notes of the present sketch: ‘Apparently continued on another page, which is now missing.’1 The recto of the continuation (D12265) is CLVI 4, indicating either that the leaves of the book were bound in a different sequence or that some or all were loose at in Finberg’s time, since the continuity of the composition across the two pages as now bound is self-evident.
Further studies of Gibside and the surrounding landscape are on folios 6 verso–7 recto, and folios 8 verso to 11 verso (D40723, D12265, D12271, D12266, D12267–D12268, D12269, D12272, D12273; CLVI 3 verso–4, 7a, 5, 5a–6, 6a, 8, 8a). See the introduction to the tour and the entry for folio 6 verso (D40723) for more on the history of the house and estate.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.447 under CLVI 7.
The pencil number ‘7’ may obscure or reinforce John Ruskin’s customary red ink foliation, which is evident only faintly and intermittently in this much-rearranged book (see the introduction to the sketchbook).
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