Joseph Mallord William TurnerHercules and Cacus, after Domenichino 1802

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Artwork details

Artist
Title
Hercules and Cacus, after Domenichino
From Studies in the Louvre Sketchbook
Turner Bequest LXXII
Date 1802
MediumGraphite on paper
Dimensionssupport: 114 x 128 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
D04371
Turner Bequest LXXII 75 a
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Catalogue entry

Joseph Mallord William Turner 1775–1851
Folio 75 Verso:
Hercules and Cacus, after Domenichino 1802
D04371
Turner Bequest LXXII 75a
Pencil with some scratching out, on white wove paper prepared with a grey wash, 114 x 128 mm
Stamped in black ‘LXXII–75a’ bottom right, ascending vertically
 
Accepted by the nation as part of the Turner Bequest 1856
Turner turned the sketchbook to landscape format to make this drawing. Domenichino’s (Domenico Zampieri, called Domenichino 1581–1641) picture dates from 1622–3. The subject is from Ovid’s Metamorphoses. The fire-breathing monster Cacus, who has stolen and hidden Hercules’s cattle, is dragged from his lair and killed by the hero. Turner took considerable interest in Domenichino while in the Louvre, copying both this work and its companion, Hercules and Achelous. His notes on the picture are on folio 76 of the sketchbook (D04372). He was also under the impression that Guercino’s Mars and Venus and Raising of Lazarus, which he drew or made notes on, were by Domenichino; see folio 35 (D04319) and folios 53, 54 verso (D04342, D04344). Surprisingly, however, he did not copy or remark on the painter’s most famous work in the Louvre, The Last Communion of St Jerome.

David Blayney Brown
July 2005

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