Nos.69 and 70 show two very different faces of the same town. In no.69 Klotten appears the epitome of serenity, its castle apparently situated upon a gentle slope. The most finished area is the hillside, where brilliant sunlight is powerfully represented by pure colour. In no.70, however, the castle appears precariously perched on the brink of an abyss and the ensemble takes on a far more dynamic character which is underlined by Turner's expressive handling and clashing colours.
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