View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms
Finberg’s inventory muddles up the present page with folio 81 verso (D26074; CCLXVII 83), and as a result this page has occasionally been cited instead of that one. However, the drawing on that page, Bemerside Hall, does continue slightly onto the left of this page. The present page also contains at the top left a tiny sketch of the sundial that Turner included in his watercolour of Bemerside Tower circa 1832 (private collection),1 engraved as the title-page vignette to Sir Tristrem, the fifth volume of Sir Walter Scott’s Poetical Works.
The ‘road through the woods’ that Finberg describes (separated from the continuation of the Bemerside sketch by a vertical line) may be a wooded area near Bemerside, or perhaps a similar place on the Abbotsford Estate such as Rhymer’s Glen (see folio 4 verso; Tate D25934; CCLXVII 4a). Standing by the side of the road are two figures who may be Scott and his publisher Robert Cadell, or perhaps Mrs Lockhart and Miss Scott who accompanied Turner to Rhymer’s Glen. However, the inscriptions beneath the figures, ‘pi[gs]’ and ‘grass’, suggest that these may be more rustic figures.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.428 no.1079.