Joseph Mallord William Turner

The Church of Notre-Dame, Huy, and the Bridge over the Meuse, Looking Downstream from the North Bank

1839

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite on paper
Dimensions
Support: 94 x 154 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D28051
Turner Bequest CCLXXXVII 5 a

Catalogue entry

In this relatively detailed sketch Turner depicts Huy’s Collegiate Church of Notre-Dame with an array of local buildings surrounding it. The Rayonnant rose window in the façade of the larger of the towers is suggested summarily as well as is its pointed arched windows. The view is taken from the north bank of the Meuse and includes the bridge, colloquially known in the Huy dialect as Li Pontia.
For other views of Huy in this sketchbook see Tate D28043, D28053, D28057, D28067, D28096, D28131–D28137, D28139–D28143, D28147, D28149; Turner Bequest CCLXXXVII 1a, 6a, 8a, 13a, 28a, 47a–50a, 51a–53a, 56a, 57a. There are also a number of colour sketches in gouache with watercolour and pen and ink produced on blue paper dated around 1839 (Tate D20221, D20222, D20226, D20268, D20288; Turner Bequest CCXX N, O, S; CCXXII I, CCXXIII C).
For earlier views of Huy see the 1824 Huy and Dinant sketchbook (Tate D20087–D20093, D20109–D20110; Turner Bequest CCXVII 2a–6a, 16–7); the Rivers Meuse and Moselle sketchbook of the same date (Tate D19622–D19635; Turner Bequest CCXVI 36–43) and the Brussels up to Mannheim sketchbook of 1833 (Tate D29653, D29656–D29659, D29661–D29662, D29768, D29771; Turner Bequest 29, 30a–32, 33–33a, 90, 91a).

Alice Rylance-Watson
April 2013

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