In 1836 Turner travelled to Switzerland in company with his friend and patron, Hugh Munro of Novar. Their itinerary can be followed in two small sketchbooks used by Turner on the tour, of which this is one. It contains a number of double-page spreads like this one, which features an extensive panorama from an elevated position. Indeed, Walter Thornbury, the artist's first biographer, recorded how on this tour 'Turner ... at some distance from his companion - generally much higher - applied himself to work in a silent, concentrated frame of mind. The superior elevation he required for the purpose of obtaining greater distance and more of a bird's-eye view.'