Joseph Mallord William TurnerView of Trinità dei Monti and the Spanish Steps, Rome, from the Villa Medici 1819

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Artwork details

Artist
Title
View of Trinità dei Monti and the Spanish Steps, Rome, from the Villa Medici
From Small Roman Colour Studies Sketchbook
Turner Bequest CXC
Date 1819
MediumGraphite and watercolour on paper
Dimensionssupport: 130 x 255 mm
Collection
Tate
Acquisition Accepted by the nation as part of the Turner Bequest 1856
Reference
D16402
Turner Bequest CXC 6 a
View this artwork by appointment, at Tate Britain's Prints and Drawings Rooms

Catalogue entry

Joseph Mallord William Turner 1775–1851
Folio 2 Verso:
View of Trinità dei Monti and the Spanish Steps, Rome, from the Villa Medici 1819
D16402
Turner Bequest CXC 6 a
Pencil and grey watercolour wash on white wove paper, 130 x 255 mm
Inscribed by the artist in pencil ‘[?To] Trinita di Monte’ bottom left
 
Accepted by the nation as part of the Turner Bequest 1856
The subject of this sketch is the view from the Villa Medici on the Pincian Hill, looking south towards the Church of Trinità dei Monti and the Spanish Steps. Amongst the buildings in the background can be seen, from left to right: the Quirinal Palace; the church and bell-tower of Sant’Andrea delle Fratte; the Torre delle Milize; the dome of Santissimo Nome di Maria; and the Capitoline. This prospect was one of the most popular and spectacular in Rome and Turner had noted its significance in his notes from A Classical Tour Through Italy by Rev. John Chetwode Eustace, compiled in the Italian Guide Book sketchbook (see Tate D13944; CLXXII 7a).1 Similar views can be found in the Vatican Fragments sketchbook (Tate D15242; Turner Bequest CLXXX 77a), the St Peter’s sketchbook (Tate D16308; Turner Bequest CLXXXVIII 82a) and in the Roman C. Studies sketchbook (Tate D16331 and D16340; Turner Bequest CLXXXIX 5 and 14).
Like many drawings within this sketchbook, the composition has been executed over a washed grey background. Turner has created highlights within the work by rubbing and scratching through the grey watercolour wash to reveal the white paper beneath.

Nicola Moorby
May 2009

1
See for example John ‘Warwick’ Smith, The Church of SS. Trinità dei Monti (British Museum), reproduced in colour in Francis W. Hawcroft, Travels in Italy 1776–1783: Based on the “Memoirs” of Thomas Jones, exhibition catalogue, Whitworth Art Gallery, Manchester 1988, no.35, pp.38–9.

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