W[illiam] G[eorge] Rawlinson, The Engraved Work of J.M.W. Turner, R.A., London 1908 and 1913, vol.II, p.298 no.560.
Alexander J. Finberg, The Life of J.M.W. Turner, R.A. Second Edition, Revised, with a Supplement, by Hilda F. Finberg, revised ed., Oxford 1961, p.278.
Gerald Finley, ‘J.M.W. Turner’s Proposal for a “Royal Progress”’, The Burlington Magazine, Vol. 117 No. 862, January 1975, pp. fig.23, 35.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.434 no.1134.
Gerald Finley, Landscapes of Memory: Turner as Illustrator to Scott, London 1980, pp.184, 185 pl.81, 258 note 52.
Gerald Finley, Turner and George the Fourth in Edinburgh 1822, exhibition catalogue, Tate Gallery, London 1981, pp.36, 37 pl.13.
Francina Irwin, Andrew Wilton, Gerald Finley and others, Turner in Scotland, exhibition catalogue, Aberdeen Art Gallery and Museum 1982, pp.9, 48,  reproduced no.59.
[Andrew Wilton], The Turner Collection in the Clore Gallery: An Illustrated Guide: Published to Celebrate the Opening of the Gallery by Her Majesty The Queen, 1 April 1987, London 1987, pp.120, 121 reproduced.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, p.117 pl.51.
Anne Lyles and Diane Perkins, Colour into Line: Turner and the Art of Engraving, exhibition catalogue, Tate Gallery, London 1989, p.74 cat.77.
Katrina Thomson, Turner and Sir Walter Scott: The Provincial Antiquities and Picturesque Scenery of Scotland, exhibition catalogue, National Gallery of Scotland, Edinburgh 1999, pp.32,  pl.25, 98 cat.47.
Nick Powell, ‘“A Picture of Britain”’, Turner Society News, no.101, December 2005, p.4.
David Blayney Brown, Turner Watercolours, exhibition catalogue, Tate Britain, London 2007, pp.15, 102 reproduced.
David Bindman (ed.), The History of British Art 1600–1870, The History of British Art, London 2008, p.38 fig.11.