John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.121 no.18.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , vol.II, p.388 no.3 as ‘Bridge with Goats’.
Turner’s Liber Studiorum. Second Series. Photographs from Twenty-One Original Drawings by J.M.W. Turner, R.A. in the South Kensington Museum. Published under the Authority of the Department of Science and Art, London and Manchester 1862, reproduced pl., as ‘Bridge with Goats’.
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.34 under no.43, ‘Classical Composition (Bridge and Goats)’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.88 under no.43, p.184.
John Pye and John Lewis Roget, Notes and Memoranda Respecting the Liber Studiorum of J.M.W. Turner, R.A. Written and Collected by the Late John Pye, Landscape Engraver. Edited, with Additional Observations, and an Illustrative Etching, by John Lewis Roget, London 1879, p.49.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–4.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, London 1897, p.584 no.3 as ‘Bridge with Goats’.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume V: Modern Painters: Volume III, London 1904, p.399.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.631 no.463, as ‘Bridge with Goats’, 633.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.104 under no.43.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.320, CXVII R.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.3.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p. reversed, p.171 under no.43.
See Alexander J. Finberg, The Life of J.M.W. Turner, R.A. Second Edition, Revised, with a Supplement, by Hilda F. Finberg, revised ed., Oxford 1961, pp.139–40.
John Gage, Collected Correspondence of J.M.W. Turner with an Early Diary and a Memoir by George Jones, Oxford 1980, pp.32–3.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.10–11, 15, 23 note 31, 24 note 75, 104 no.43i, reproduced, 160, 161.
Joyce H. Townsend, ‘Turner’s “Drawing Book”, the “Liber Studorium” [sic]: Materials and Techniques’, ICOM Committee for Conservation Preprints, London 1996, vol.I, reproduced p.376 fig.1 detail x 7, p.378.
James Hamilton, Turner and the Scientists, exhibition catalogue, Tate Gallery, London 1998, p.68 note 34.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.124.