Martin F. Krause, Turner in Indianapolis: The Pantzer Collection of Drawings and Watercolors by J.M.W. Turner and his Contemporaries at the Indianapolis Museum of Art, Indianapolis 1997, p.267 (transcribed from Hannah Cooper, ‘The Cooper Notebooks’, circa 1853–8, Indianapolis Museum of Art, vol.II, p.6 no.1, as ‘Water with round Temple’).
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.128 under no.63, ‘Twickenham – Pope’s Villa. ... (Sometimes called “Garrick’s Temple and Hampton Church.”)’.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–16, as ‘Twickenham – Pope’s Villa; Sometimes called Garrick’s Temple and Hampton Church and The Alcove’.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.645 no.881, as ‘Twickenham’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.149 under no.63, ‘The Alcove, Isleworth. (Also known as ‘Twickenham – Pope’s Villa’ and “Garrick’s Temple and Hampton Church.”)’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.322, CXVIII I, as ‘The Alcove, Isleworth’ (Vaughan Bequest).
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, reproduced p.80 pl.XL, as ‘The Alcove, Isleworth. Generally known as “Twickenham–Pope’s Villa,” etc.’, p.81.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.4.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.251 under no.63.
Charles Clare, J.M.W. Turner: His Life and Work, British Painters, London 1951, reproduced p.37, as ‘CCXVIII-I’.
Luke Herrmann, Turner: Paintings, Watercolours, Prints & Drawings, London 1975, p.16, reproduced p. pl.47.
Andrew Wilton, Turner in his Time, London 1987, pp.69, 76, reproduced p.77 pl.108.
David Blayney Brown, The Art of J.M.W. Turner, London 1990, pp.120, reproduced 121 cropped.
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, pp.139, 140.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.125 no.63i, reproduced, pp.161, 163.
Anthony Bailey, Standing in the Sun: A Life of J.M.W. Turner, London 1997, reproduced between pp.102 and 103.
Olivier Meslay, Turner: L’Incendie de la peinture, Découvertes Gallimard Arts, [Paris] 2004, reproduced p.28 colour, p.29.
Peter Ackroyd, J.M.W. Turner, Brief Lives, London 2005, p.37, reproduced.
Olivier Meslay, J.M.W. Turner: The Man Who Set Painting on Fire, trans. Ruth Sharman, London 2005, p.28 reproduced colour, p.29.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.164.