John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.121 no.23, as ‘Hindoo Ablutions’.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , vol.II, p.388 no.11 as ‘Hindoo Ablutions’.
Turner’s Liber Studiorum. Second Series. Photographs from Twenty-One Original Drawings by J.M.W. Turner, R.A. in the South Kensington Museum. Published under the Authority of the Department of Science and Art, London and Manchester 1862, reproduced pl., as ‘Hindoo Ablutions’.
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.32 under no.38, ‘A Composition (commonly called Woman at a Tank, or Hindoo Ablutions)’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.78 under no.38, ‘Woman at a Tank. ... (Also called “Hindoo Ablutions.”)’.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–6, as ‘Hindoo Ablutions; or, Woman at a Tank’.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, London 1897, p.584 no.11, as ‘Hindoo Ablutions’.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume III: Modern Painters: Volume I, London 1903, pp.236–7.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.631 no.470, as ‘Hindoo Ablutions’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.91 under no.38, ‘Scene in the Campagna. (Usually known as “Woman at a Tank,” and also called “Hindoo Ablutions.”)’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.320, CXVII N, as ‘Woman at a tank’, ‘Called also “Hindoo Ablutions.”’.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.2.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.151 under no.38.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.46.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.72, p.98 no.38i, reproduced, p.161.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.114.