1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.575, as ‘Sketches of three pictures – “Naples”, “Colonna”, &c’.
1965
Jerrold Ziff, ‘Copies of Claude’s Paintings in the Sketch Books of J.M.W. Turner’, Gazette des Beaux-Arts, January 1965, pp.56, 62–3, 64 note 21, reproduced p.54, fig.2, as ‘Copies of seven paintings by Claude Lorrain’.
1983
Michael Kitson, ‘Turner and Claude’, Turner Studies, vol.2, no.2, Winter 1983, pp.13, 15 note 50.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.151 note 1, 160, 433, reproduced pl.92 as ‘Sketches of seven paintings by Claude in Italy’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.65, 68, 203 notes 1 and 20, reproduced [69], pl.72, as ‘Sketches after Claude’.
2002
Ian Warrell, Blandine Chavanne and Michael Kitson, Turner et le Lorrain, exhibition catalogue, Musée des beaux-arts, Nancy 2002, no.50, pp.37, 108, 182, 184 note 44, 193, no.50, reproduced in colour.
2009
Ian Warrell, ‘ “Stolen hints from celebrated Pictures”: Turner as Copyist, Collector and Consumer of Old Master Paintings’, in David Solkin (ed.), Turner and the Masters, exhibition catalogue, Tate Britain, London 2009, p.51, 226 note 35.
2010
David Solkin and Guillaume Faroult (eds.), Turner et ses peintres, exhibition catalogue, Galeries nationales, Grand Palais, Paris 2010, pp.53, 60 note 34.