J.M.W. Turner: Sketchbooks, Drawings and Watercolours

Joseph Mallord William Turner Studies of a Boat and Cows: ?for 'Abingdon' 1805

Joseph Mallord William Turner 1775–1851
Folio 21 Verso:
Studies of a Boat and Cows: ?for ‘Abingdon’ 1805
D05799
Turner Bequest XCIII 21a
Pen and ink on white wove paper, prepared with a grey wash, 171 x 262 mm
 
Accepted by the nation as part of the Turner Bequest 1856
Turner has drawn lines dividing this leaf into quarters and used the top two for variants of a composition of a boat and cows, the one at left looking into the sun. As Finberg recognised, these bear comparison with Abingdon (Tate N00485), the picture formerly identified with the Dorchester Mead, Oxfordshire exhibited at Turner’s Gallery in 18101 but in fact a different work probably shown there in 1806 or 1807, as proposed by Hill.2 Hill believes the two drawings show that Turner took the sketchbook on a trip up the Thames but the alternative treatments suggest studio rather than nature studies, and perhaps Turner was reviewing the composition of his on-the-spot sketches around Abingdon in the Hesperides (2) sketchbook, including one more closely related to the picture (Tate D05850; Turner Bequest XCIV 4 verso).3

David Blayney Brown
October 2007

1
Butlin and Joll 1984, p.77 no.107 (pl.114).
2
Hill 1993, pp.136–9.
3
See catalogue note for further discussion of the change of title for the picture.

How to cite

David Blayney Brown, ‘Studies of a Boat and Cows: ?for ‘Abingdon’ 1805 by Joseph Mallord William Turner’, catalogue entry, October 2007, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, December 2012, http://www.tate.org.uk/art/research-publications/jmw-turner/joseph-mallord-william-turner-studies-of-a-boat-and-cows-for-abingdon-r1130021, accessed 20 April 2014.