Joseph Mallord William Turner Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Ash Urn and the Funerary Altar of C. Clodius Apollinaris and C. Clodius Primitivus 1819
Joseph Mallord William Turner 1775–1851
Folio 78 Recto:
Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Ash Urn and the Funerary Altar of C. Clodius Apollinaris and C. Clodius Primitivus 1819
D15241
Turner Bequest CLXXX 77
Turner Bequest CLXXX 77
Pencil on paper 101 x 161 mm
Inscribed by the artist in pencil (see main catalogue entry)
Inscribed by John Ruskin in red ink ‘77’ top right, ascending right-hand edge
Stamped in black ‘CLXXX 77’ top right, ascending right-hand edge
Inscribed by John Ruskin in red ink ‘77’ top right, ascending right-hand edge
Stamped in black ‘CLXXX 77’ top right, ascending right-hand edge
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.534, as ‘Antiques, including Nos. “254” and “72” ’.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.421, 476 note 8, as ‘(a) Ash urn (A, II, pl.22, 86) (b) Funerary altar of C. Clodius Apollinaris and C. Clodius Primitivus (A, II, pl.21, 80)’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.51 note 6.
During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). This page contains sketches of three objects from the Museo Pio-Clementino. The studies are numbered from top left to bottom right:
a.
Cecilia Powell has identified the sketch in the top left-hand corner as an ash urn,1 decorated with sculptural reliefs of erotes, garlands and masks. Today the object can be found in the Gabinetto dell’Hermes in the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) of the Museo Pio-Clementino.2 The drawing is annotated ‘254’ which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
b.
The sketch in the bottom left-hand corner represents the top of the funerary altar depicted in (c).
c.
Powell has identified the subject of the sketch on the right-hand side of the page as the funerary altar of C. Clodius Apollinaris and C. Clodius Primitivus.3 Turner has transcribed the Latin text from the top and centre of the object ‘C. Clodivs APOLLINARIS | VA.VM. VI D VIII’ and ‘DIS MANIBUS’ and ‘CCLODIVS CF | PRIMITVVS VIXITANN | XIDIEBVS XXV | C CLODIUS SECVNDUS | ET CLODIA PRIMAF’. Today the altar can be found in the South Portico of the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) in the Museo Pio-Clementino.4
Cecilia Powell has identified the sketch in the top left-hand corner as an ash urn,1 decorated with sculptural reliefs of erotes, garlands and masks. Today the object can be found in the Gabinetto dell’Hermes in the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) of the Museo Pio-Clementino.2 The drawing is annotated ‘254’ which presumably relates to an exhibit number displayed on the work. However, it does not appear to correspond to any known lists published within contemporary guide books or catalogues of the Vatican collections.
b.
The sketch in the bottom left-hand corner represents the top of the funerary altar depicted in (c).
c.
Powell has identified the subject of the sketch on the right-hand side of the page as the funerary altar of C. Clodius Apollinaris and C. Clodius Primitivus.3 Turner has transcribed the Latin text from the top and centre of the object ‘C. Clodivs APOLLINARIS | VA.VM. VI D VIII’ and ‘DIS MANIBUS’ and ‘CCLODIVS CF | PRIMITVVS VIXITANN | XIDIEBVS XXV | C CLODIUS SECVNDUS | ET CLODIA PRIMAF’. Today the altar can be found in the South Portico of the Cortile Ottagono (also known as the Cortile Ottagonale, formerly the Cortile del Belvedere) in the Museo Pio-Clementino.4
Nicola Moorby
December 2009
How to cite
Nicola Moorby, ‘Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Ash Urn and the Funerary Altar of C. Clodius Apollinaris and C. Clodius Primitivus 1819 by Joseph Mallord William Turner’, catalogue entry, December 2009, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www