E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.337, pp.379, 625, as ‘Monte St. Angelo and Capri: Evening’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.555, as ‘Monte St. Angelo and Capri. Water colour. Exhibited Drawings, No.337, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.85.
Edward Croft-Murray, Turner Watercolors from The British Museum: A Loan Exhibition Circulated by the Smithsonian Institution, exhibition catalogue, National Gallery of Art, Washington DC 1963, no.17, pp.10, 17, reproduced p., as ‘Naples, The Castel dell’Ovo from the Pizzofalcone, looking towards Sorrento and Capri’.
Luke Herrmann, Turner: Watercolours Lent by the British Museum, exhibition catalogue, Musée Provisoire d’Art Moderne, Brussels 1970, no.13, p., reproduced p., as ‘Le Castel dell’Ovo, Capri avec la péninsule de Sorrente dans le lointain’.
Andrew Wilton, Turner in the British Museum: Drawings and Watercolours, exhibition catalogue, British Museum, London 1975, no.71 p.54, reproduced p.56, as ‘The Castel dell’Ovo, Naples, with Capri and Sorrento in the distance’.
Andrew Wilton, Turner Abroad: France; Italy; Germany; Switzerland, London 1982, p.41 no.30, reproduced in colour, as ‘Naples: the Castel dell’Ovo, with Capri and Sorrento in the distance’.
John Gage, Jerrold Ziff, Nicholas Alfrey and others, J.M.W. Turner, à l’occasion du cinquantième anniversaire du British Council, exhibition catalogue, Galeries nationales du Grand Palais, Paris 1983, no.144, pp.218, 220, reproduced p.219, as ‘Naples: le Castel dell’Ovo avec Capri et Sorrente au loin’.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.181 note 48.
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, p.80 note 39.
Giuliano Briganti, Nicola Spinosa and Lindsay Stainton, All’ombra del Vesuvio: Napoli nella veduta europea dal Quattrocento all’Ottocento / In the Shadow of Vesuvius: Views of Naples from Baroque to Romanticism 1631–1830, exhibition catalogue, Accademia Italiana delle Arti e dell arti Applicate, London 1990, p.134.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, reproduced, and in colour, p.20; and detail, front cover, as ‘Naples, the Castel dell’Ovo’.
David Blayney Brown, Original Eyes: Progressive Vision in British Watercolour 1750–1850, exhibition catalogue, Tate Gallery Liverpool 1991, p.40, reproduced p.39, as ‘Castel dell’Ovo, Naples, Capri and Sorrento in the Distance’.
Andrew Wilton, Inge Bodesohn-Vogel and Helena Robinson, William Turner: Licht und Farbe, exhibition catalogue, Museum Folkwang, Essen 2001, no.93, pp.317 under no.89, 318 under no.91, 319, reproduced in colour, p.161, as ‘Naples: the Castel dell’Ovo with Capri beyond’.
David Blayney Brown, Turner in the Tate Collection, London 2002, p.110, reproduced in colour pl.65, as ‘Naples, the Castel dell’Ovo’.
Ian Warrell (ed.), Franklin Kelly and others, J.M.W. Turner, exhibition catalogue, National Gallery of Art, Washington 2007, p.133 under no.93.