John Burnet and Peter Cunningham, Turner and his Works: Illustrated with Examples from his Pictures, and Critical Remarks on his Principles of Painting, 2nd ed., revised by Henry Murray, London 1859, p.121 no.39.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians, London 1862 , vol.II, p.388 no.24.
Turner’s Liber Studiorum. Second Series. Photographs from Twenty-One Original Drawings by J.M.W. Turner, R.A. in the South Kensington Museum. Published under the Authority of the Department of Science and Art, London and Manchester 1862, reproduced pl., as ‘Crypt, Kirkstall’.
[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, p.32 under no.39, ‘Original Drawing (Crypt of Kirkstall Abbey)’.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.81 under no.39.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–9.
Walter Thornbury, The Life of J.M.W. Turner, R.A. Founded on Letters and Papers Furnished by his Friends and Fellow-Academicians: A New Edition, London 1897, p.584 no.24.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume VII: Modern Painters: Volume V, London 1903, pp.384, 385, 433.
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, pp.121, 632 no.484, as ‘Crypt, Kirkstall Abbey’.
Ibid., Volume XXI: The Ruskin Art Collection at Oxford: Catalogues, Notes, and Instructions, London 1906, p.132 (‘Notes on Educational Series’ in Catalogue of Examples ...).
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.94, under no.39.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.320, CXVII O.
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, p.81.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.2.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.155 under no.39.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.325.
Guy Weelan, J.M.W. Turner, trans. I. Mark Paris, New York 1982, p.36, reproduced p.42 pl.23, as ‘aquatint and mezzotint’, circa 1798.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.99 no 39ii, reproduced, pp.161, 162.
David Hill, Turner in the North: A Tour through Derbyshire, Yorkshire, Durham, Northumberland, the Scottish Borders, the Lake District, Lancashire and Lincolnshire in the Year 1797, New Haven and London 1996, pp.26 note 34, 190.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.116.