Philip Gilbert Hamerton, The Life of J. M. W. Turner, R.A., London 1879, p.188.
E.T. Cook and Alexander Wedderburn (eds.), Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, no.330, pp.379, 624, as ‘Campagna. Slighter but as fine. Morning’ and ‘Campagna’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.556, as ‘Roman campagna: Morning. Water colour. Exhibited Drawings, No.330, N.G.’.
D[ugald] S[utherland] MacColl, National Gallery, Millbank: Catalogue: Turner Collection, London 1920, p.86.
Thomas Ashby, Turner’s Visions of Rome, London and New York 1925, pp.22–3, reproduced pl.6, opposite p.12, as ‘Roman campagna: Morning’.
Graham Reynolds, Turner, London 1969, reproduced p. pl.93.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.130 under no.471.
Evelyn Joll and Martin Butlin, L’opera completa di Turner 1793–1829, Classici dell’arte, Milan 1982, p. no.308.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, no.318, p.180 (see also first edition, New Haven and London 1977),.
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.122–3, 426, as ‘The Roman campagna with Ponte Salario (see Ashby, 1925, p.22)’.
Andrew Wilton, Turner Watercolours in the Clore Gallery, London 1987, p.75, reproduced in colour pl.30, as ‘View over the Roman campagna, morning’.
Diane Perkins, The Third Decade: Turner Watercolours 1810–1820, exhibition catalogue, Tate Gallery, London 1990, no.36, p.37, reproduced, and in colour, p.19, as ‘View over the Roman campagna’.
Giuseppe Marcenaro and Piero Boragina, Viaggio in Italia: Un corteo magico dal Cinquecento al Novecento, exhibition catalogue, Palazzo Ducale, Genoa 2001, ‘Turner et l’Italia’ no.3, p.273 reproduced in colour, as ‘Veduta della Campagna romana’.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner e l’Italia, exhibition catalogue, Palazzo dei Diamanti, Ferrara 2008, no.50, pp., 190, reproduced in colour, as ‘Veduta della Campagna romana’.
James Hamilton, Nicola Moorby, Christopher Baker and others, Turner & Italy, exhibition catalogue, National Galleries of Scotland, Edinburgh 2009, p.49, reproduced in colour pl.57, p., as ‘View over the Roman campagna’.
Christopher Baker and James Hamilton, Turner és Itália, exhibition catalogue, Szépmuvészeti Múzeum, Budapest 2009, p.54 reproduced in colour, pp.40 [detail], 52, fig.54.