[J.E. Taylor and Henry Vaughan], Exhibition Illustrative of Turner’s Liber Studiorum, Containing Choice Impressions of the First States, Etchings, Touched Proofs, together with the Unpublished Plates, and a Few Original Drawings for the Work, exhibition catalogue, Burlington Fine Arts Club, London 1872, pp.41 under no.60, .
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue, London 1878, p.121 under no.60, ‘The Source of the Arveron in the Valley of Chamouni, Savoy’.
Rev. Stopford [Augustus] Brooke, Notes on the Liber Studiorum of J.M.W. Turner, R.A., revised ed., London 1885, pp.–5.
E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume III: Modern Painters: Volume I, London 1903, pp.236–7.
Ibid., Volume VII: Modern Painters: Volume V, London 1903, p.105.
Ibid., Volume VI: Modern Painters: Volume IV, London 1904, p.373, reproduced opposite p.373 pl.XLIX (comparative detail of the lower right of the Liber plate).
Ibid., Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.645 no.879.
W[illiam] G[eorge] Rawlinson, Turner’s Liber Studiorum, A Description and a Catalogue. Second Edition, Revised Throughout, London 1906, p.144 under no.60, ‘The Source of the Arveron in the Valley of Chamouni, Savoy’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.322, CXVIII G, as ‘The source of the Arveron, in the Valley of Chamouni, Savoy’ (Vaughan Bequest).
Alexander J. Finberg, Turner’s Sketches and Drawings, London 1910, pp.82–3.
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.3.
Alexander J. Finberg, The History of Turner’s Liber Studiorum with a New Catalogue Raisonné, London 1924, reproduced p., p.239 under no.60.
Martin Hardie, The Liber Studiorum Mezzotints of Sir Frank Short, R.A., P.R.E. after J.M.W. Turner, R.A. Catalogue & Introduction, London 1938, p.50.
Martin Butlin, Andrew Wilton and John Gage, Turner 1775–1851, exhibition catalogue, Royal Academy, London 1974, p.47.
John Russell and Andrew Wilton, Turner in Switzerland, Zurich 1976, p.137 no.53, as ‘Source of the Arveiron’.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.343.
Andrew Wilton, Turner and the Sublime, exhibition catalogue, Art Gallery of Ontario, Toronto 1980, p.121.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.14, 15, 24 notes 57 and 82, p.122 no.60i, reproduced.
Sam Smiles, J.M.W. Turner: The Making of a Modern Artist, Manchester and New York 2007, p.182, fig.5.5.
Gillian Forrester, David Hill, Matthew Imms and others, Reisen mit William Turner: J.M.W. Turner: Das Liber Studiorum, exhibition catalogue, Galerie Stihl, Waiblingen 2008, p.158, reproduced p.185 colour.