E.T. Cook and Alexander Wedderburn eds., Library Edition: The Works of John Ruskin: Volume XIII: Turner: The Harbours of England; Catalogues and Notes, London 1904, p.567 (Oxford loans catalogue, 1878) no.169, as ‘Sheep-washing at Eton’; apparently duplicated, p.633 no.512, as ‘Sketch for a Liber Studiorum Subject’.
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.324, CXVIII e, as ‘Sketch for “Liber Studiorum” subject’; apparently duplicated, p.316, CXVI F, as ‘Sheepwashing at Eton’, circa 1809–10 (see main catalogue entry).
Liber Studiorum: J.M.W. Turner: Miniature Edition Containing Reproductions (I.) from First Published State of the Seventy-One Published Plates, and (II.) of the Original Drawings for, or Engraver’s Proofs of, All the Unpublished Plates as the Artist Left Them, London and Glasgow 1911, pp.[3–4] as ‘[CXVI] F’, reproduced p.125 no.101?? [sic].
Untitled typescript list of works relating to 1921 and 1922 Liber Studiorum exhibitions, [circa 1921], Tate exhibition files, Tate Archive TG 92/9/2, p.7.
John Rothenstein, The Turner Collection from Petworth, exhibition catalogue, Tate Gallery, London 1951, p., as ‘A drawing (CXVI, F) entitled “Sheep-washing at Eton”’.
Gerald Wilkinson, The Sketches of Turner, R.A. 1802–20: Genius of the Romantic, London 1974, p.111, as ‘CXVIII Q’, reproduced p.119.
Gerald Wilkinson, Turner Sketches 1789–1820, London 1977, reproduced p.124.
Evelyn Joll and Martin Butlin, L’opera completa di Turner 1793–1829, Classici dell’arte, Milan 1982, p.81.
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.113.
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–1812, exhibition catalogue, Tate Gallery, London 1990, p.138.
Gillian Forrester, Turner’s ‘Drawing Book’: The Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, pp.136–7 no.74ii, reproduced p.137, p.162.