Dramatic in scale and execution, Leighton’s design depicting the resurrection of the dead before the Last Judgement (Book of Revelation) was originally created for the dome of St Paul’s Cathedral. Leighton may have used Michelangelo’s Last Judgement from the Sistine Chapel, Rome as an inspiration. Figures are shown rising out of tombs or the depths of a vast ocean. The main group are a husband, wife and child who have emerged united. Their posture and skin tones underline the stages of resurrection, from the limpness and pallor of death to the vigour and reddish hue of renewed life.
How to cite
Frederic, Lord Leighton, And the Sea Gave Up the Dead Which Were in It exhibited 1892, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/frederic-lord-leighton-and-the-sea-gave-up-the-dead-which-were-in-it-r1105593, accessed 25 April 2018.