In this painting Watts wanted to express the spirit governing the system he called ‘the immeasurable expanse’. A heavily draped figure, enveloped by large wings, gazes deep into a globe or crystal ball held at the centre of the composition. Despite its weighty robes the figure appears to defy gravity as it hovers mysteriously in space. Like Michelangelo’s sibyls on the Sistine Chapel ceiling, Watts’s figure appears monumental and androgynous, qualities which suggest a higher knowledge of the universe.
How to cite
George Frederic Watts, The All-Pervading 1887-90, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/george-frederic-watts-the-all-pervading-r1105607, accessed 18 March 2018.