This is the second picture in Martin’s triptych. Unlike the others it is characterised by tremendous tranquillity and harmony. In the central panel, The Last Judgement, the good are shown assembling in ‘the plains of heaven’. The celestial landscape continues into this picture, representing salvation. Martin included a number of poets and artists among the good, who are seen in white on the crest of the hill in the foreground of the picture. Behind them stretches the deep blue expanse of a heavenly lake, filled by the rushing water of the distant falls, and surrounded by majestic mountain scenery.
How to cite
John Martin, The Plains of Heaven 1851-3, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/john-martin-the-plains-of-heaven-r1105571, accessed 17 December 2017.