Wright emphasises the drama of the erupting Vesuvius through contrasts: between the tranquillity of the sea and the violence of the volcano, the cool light reflected from the moon and clouds with the hellish spewing of fire and lava. In comparison to the volatile power of the volcano, the tiny foreground figures stress man’s insignificance before the sublime grandeur of nature. Wright did not witness the eruption of Vesuvius in 1777, but it clearly spurred his imagination. He returned repeatedly to the subject, and produced over thirty views of the volcano.
How to cite
Joseph Wright of Derby, Vesuvius in Eruption, with a View over the Islands in the Bay of Naples c.1776-80, in Nigel Llewellyn and Christine Riding (eds.), The Art of the Sublime, Tate Research Publication, January 2013, https://www.tate.org.uk/art/research-publications/the-sublime/joseph-wright-of-derby-vesuvius-in-eruption-with-a-view-over-the-islands-in-the-bay-of-r1105581, accessed 24 July 2016.