Joseph Mallord William Turner Study for a Landscape with a Ruined Roman Bridge: ?Latona and the Herdsmen 1805
Joseph Mallord William Turner 1775–1851
Folio 56 Recto:
Study for a Landscape with a Ruined Roman Bridge: ?Latona and the Herdsmen 1805
D05579
Turner Bequest XC 56
Turner Bequest XC 56
Pen and ink and brown and grey washes with white chalk and scratching out on off-white wove paper, prepared with a grey wash, 150 x 150 mm
Inscribed by John Ruskin in red ink ‘56’ bottom left, descending vertically
Stamped in black ‘XC 56’ bottom left, descending vertically
Inscribed by John Ruskin in red ink ‘56’ bottom left, descending vertically
Stamped in black ‘XC 56’ bottom left, descending vertically
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.236, XC 56, as ‘Study for landscape, with figures’.
1984
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, p.118.
1990
Andrew Wilton and Rosalind Mallord Turner, Painting and Poetry: Turner’s ‘Verse Book’ and his Work of 1804–12, exhibition catalogue, Tate Gallery, London 1990, p.124.
1993
David Hill, Turner on the Thames: River Journeys in the Year 1805, New Haven and London 1993, p.162, as ‘A riverside landscape with a ruined Roman bridge, figures and a flock of sheep in the foreground’.
1996
Gillian Forrester, Turner’s ‘Drawing Book’: the Liber Studiorum, exhibition catalogue, Tate Gallery, London 1996, p.144 note 5.
This is the second of two versions in this sketchbook of a wooded river landscape with a ruined Italianate bridge in the right middle distance, which seem to be variations on this sketchbook’s various views of the Thames at Kew; the other is folio 55 (D05577). They are among a group of studies depicting episodes from Ovid’s Metamorphoses; see note to folio 54 (D05575). On folio 55 verso Turner lists four Ovidian subjects including ‘Latona and the Herdsman’, the most likely one for the present drawing; ‘Latona and the Herdsmen’. In Book 6 of the Metamorphoses the beautiful Latona, condemned to a life of wandering by Juno, comes upon a pool but is forbidden to slake her thirst by some boorish local peasants. Reminding them that they do not have a monopoly on the fruits of nature, she punishes them by turning them into frogs. Kathleen Nicholson, in a discussion of Turner’s Ovidian subjects, concludes that ‘there is no way of knowing how Turner might have envisioned the scene’ but sees his interest in it as evidence of his wit and his specification of the peasants as ‘herdsmen’ as demonstrating his understanding of its plot.1 However, the presence here of a flock of sheep would align with this and supports Hill’s interpretation.
David Blayney Brown
August 2007
How to cite
David Blayney Brown, ‘Study for a Landscape with a Ruined Roman Bridge: ?Latona and the Herdsmen 1805 by Joseph Mallord William Turner’, catalogue entry, August 2007, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www