Joseph Mallord William Turner Sketches of the Villa Adriana, Tivoli: the Praetorium and Large Baths 1819
Joseph Mallord William Turner 1775–1851
Folio 32 Verso:
Sketches of the Villa Adriana, Tivoli: the Praetorium and Large Baths 1819
D14985
Turner Bequest CLXXIX 32 a
Turner Bequest CLXXIX 32 a
Pencil on white wove paper, 112 x 186 mm
Inscribed by the artist in pencil ‘Bath [?dome]’ top right
Inscribed by the artist in pencil ‘Bath [?dome]’ top right
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.528 as ‘Temple of Minerva Medica and other ruins near the Porta Maggiore. (?Ruins of Villa Adriana).
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, pp.173 note 13, 355–6 note 32, 410, as ‘Hadrian’s Villa at Tivoli, including sketches of: Praetorium and Large Baths’.
1987
Cecilia Powell, Turner in the South: Rome, Naples, Florence, New Haven and London 1987, pp.76 notes 12 and 13, 170 note 14.
Part of Turner’s trip to Tivoli in 1819 included a detour to the Villa Adriana (Hadrian’s Villa), an elaborate palace and garden complex approximately one mile south-west of the town. Built during the second century for the Roman Emperor Hadrian, it was designed as an imperial summer retreat filled with architectural recreations of celebrated buildings of the world. An important archaeological site, it had long been had been plundered for its statutes and marble, and many of its treasures had been removed during the sixteenth century to decorate the newly built Villa d’Este. During the eighteenth century, extensive excavations had occurred under the direction of the Scottish artist and dealer, Gavin Hamilton (1723–1798) who sold many of his finds to British clients, and the Villa became a popular attraction for British travellers on the Grand Tour. Its ruins and treasures were also made famous through the prints of Giovanni Battista Piranesi (1720–1778) who worked and studied at the Villa for many years.1
Turner’s visit to the Villa Adriana seems to have been necessarily brief, but he used the time that was available to him to make several swift studies of the key buildings of interest, see folios 2 and 33–36 (D14935 and D14986–D14992). As Cecilia Powell first correctly identified, this page contains sketches of the Praetorium (a pavilion with a panoramic view overlooking the estate) and the Large Baths (Grande Terme).2 The drawings in the top right-hand corner and at the bottom of the sheet both represent the same vista, a view of the Large Baths looking east from the path leading to the Canopus. The remaining study, at the top of the page, meanwhile depicts the Praetorium leading to the Serapeum from the same path. Further sketches from a similar viewpoint can be seen on folio 33 (D14986).
Nicola Moorby
January 2010
How to cite
Nicola Moorby, ‘Sketches of the Villa Adriana, Tivoli: the Praetorium and Large Baths 1819 by Joseph Mallord William Turner’, catalogue entry, January 2010, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www