Joseph Mallord William Turner Twelve Copies of Engravings after John 'Warwick' Smith from 'Select Views in Italy' c.1819
Joseph Mallord William Turner 1775–1851
Folio 21 Verso:
Twelve Copies of Engravings after John ‘Warwick’ Smith from ‘Select Views in Italy’ circa 1819
D13971
Turner Bequest CLXXII 21 a
Turner Bequest CLXXII 21 a
Pen and black ink on white wove paper, 155 x 99 mm
Inscribed by the artist in black ink with titles and details of views (see main catalogue entry)
Inscribed by the artist in black ink with titles and details of views (see main catalogue entry)
Accepted by the nation as part of the Turner Bequest 1856
References
1909
A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.I, p.502, as ‘Twelve small pen and ink sketches: – (1) On the Island of Caprea, (2) Amalfi, in the Bay of Salerno, (3) La Cava (4) Hermitage near La Cava, (5) Salerno, (6) Ruins at Pestum, (7) Scylla, (8) Genoa, (9) Convent of St. Domenico at Sienna, (10) Colle, (11) Etruscan Gateway at Volterra, (12) Loretto’.
1982
Cecilia Powell, ‘Topography, Imagination and Travel: Turner’s Relationship with James Hakewill’, Art History, vol.5, no.4, December 1982, p.419.
1984
Cecilia Powell, ‘Turner on Classic Ground: His Visits to Central and Southern Italy and Related Paintings and Drawings’, unpublished Ph.D thesis, Courtauld Institute of Art, University of London 1984, p.41 note 65.
1997
James Hamilton, Turner: A Life, London 1997, p.196 note 4.
This page is one of a series containing small pen-and-ink sketches of topographical Italian views. As Finberg first identified, these are copies of the engraved plates in John Smith, William Byrne and John Emes’s, Select Views in Italy, published in two volumes between 1792–9. The images derive from the following compositions (in sequence left to right and top to bottom):
i
On the Island of Caprea, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.1 Inscribed by the artist in black ink ‘Caprea’ bottom centre.
On the Island of Caprea, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.1 Inscribed by the artist in black ink ‘Caprea’ bottom centre.
ii
Amalfi, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.2 Inscribed by the artist in black ink ‘Amalfi Bay of Salerno’ top centre.
Amalfi, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.2 Inscribed by the artist in black ink ‘Amalfi Bay of Salerno’ top centre.
iii
La Cava, drawn by John ‘Warwick’ Smith and engraved by William Byrne.3 Inscribed by the artist in black ink ‘La Cava’ bottom left and ‘Cava’ bottom centre.
La Cava, drawn by John ‘Warwick’ Smith and engraved by William Byrne.3 Inscribed by the artist in black ink ‘La Cava’ bottom left and ‘Cava’ bottom centre.
iv
Hermitage near La Cava, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.4 Inscribed by the artist in black ink ‘Hermitage at La Cava’ top right.
Hermitage near La Cava, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.4 Inscribed by the artist in black ink ‘Hermitage at La Cava’ top right.
v
Salerno, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.5 Inscribed by the artist in black ink ‘Salerno’ bottom right.
Salerno, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.5 Inscribed by the artist in black ink ‘Salerno’ bottom right.
vi
Pæstum, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.6 Inscribed by the artist in black ink ‘Pestum’ top centre.
Pæstum, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.6 Inscribed by the artist in black ink ‘Pestum’ top centre.
vii
Scylla, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.7 Inscribed by the artist in black ink ‘Scylla | Il Sciglio’ top left. The text accompanying the plate notes that the alternative name for the village of Scylla is ‘Il Sciglio’.
Scylla, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.7 Inscribed by the artist in black ink ‘Scylla | Il Sciglio’ top left. The text accompanying the plate notes that the alternative name for the village of Scylla is ‘Il Sciglio’.
viii
Genoa, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.8 Inscribed by the artist in black ink ‘Genoa’ bottom centre.
Genoa, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.8 Inscribed by the artist in black ink ‘Genoa’ bottom centre.
ix
Convent of St. Domenico, at Sienna, drawn by John ‘Warwick’ Smith and engraved by William Byrne.9 Inscribed by the artist in black ink ‘Convent of Domenicco at Sienna’ across bottom.
Convent of St. Domenico, at Sienna, drawn by John ‘Warwick’ Smith and engraved by William Byrne.9 Inscribed by the artist in black ink ‘Convent of Domenicco at Sienna’ across bottom.
x
Colle, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.10 Inscribed by the artist in black ink ‘Colle’ bottom centre and ‘Flo and Sienna’ bottom right. The text accompanying the plate notes that Colle ‘is a small town, situated between Florence and Sienna, and built partly on a plain, and partly on an eminence’.
Colle, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.10 Inscribed by the artist in black ink ‘Colle’ bottom centre and ‘Flo and Sienna’ bottom right. The text accompanying the plate notes that Colle ‘is a small town, situated between Florence and Sienna, and built partly on a plain, and partly on an eminence’.
xi
Etruscan Gateway at Volterra, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.11
Etruscan Gateway at Volterra, drawn by John ‘Warwick’ Smith and engraved by William Byrne and James Sparrow.11
xii
Loretto, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.12 Inscribed by the artist in black ink ‘Loretto’ bottom centre.
Loretto, drawn by John ‘Warwick’ Smith and engraved by Benjamin Thomas Pouncy.12 Inscribed by the artist in black ink ‘Loretto’ bottom centre.
For a general discussion of Turner’s sketches from Select Views see the introduction to the sketchbook.
Nicola Moorby
July 2008
How to cite
Nicola Moorby, ‘Twelve Copies of Engravings after John ‘Warwick’ Smith from ‘Select Views in Italy’ c.1819 by Joseph Mallord William Turner’, catalogue entry, July 2008, in David Blayney Brown (ed.), J.M.W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012, https://www