The sketchbooks of Joseph Mallord William Turner

Ruins of the Palace of the Caesars on the Palatine Hill, Rome, looking towards the Aventine Hill
24 (of 94 artworks)

Joseph Mallord William Turner 1775-1851

Ruins of the Palace of the Caesars on the Palatine Hill, Rome, looking towards the Aventine Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16418

Turner Bequest CXC 16 a

Small Roman Colour Studies Sketchbook [Turner Bequest CXC] 1819-
Context for this sketchbook:

Joseph Mallord William Turner 1775-1851

Two Sketches of the Head of Christ, Then Attributed to Michelangelo, in Sant'Agnese fuori le mura, Rome; the So-Called Sedia del Diavolo; and details from a Bas-Relief

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16399

Turner Bequest CXC 5

Joseph Mallord William Turner 1775-1851

View of the Muro Torto and the Porta del Popolo from the North of Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16400

Turner Bequest CXC 5 a

Joseph Mallord William Turner 1775-1851

The Vatican, from the North of Rome, near the Muro Torto and the Porto del Popolo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16401

Turner Bequest CXC 6

Joseph Mallord William Turner 1775-1851

View of Trinità dei Monti and the Spanish Steps, Rome, from the Villa Medici

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16402

Turner Bequest CXC 6 a

Joseph Mallord William Turner 1775-1851

The Arch of Constantine and the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16398

Turner Bequest CXC 4

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16403

Turner Bequest CXC 7

Joseph Mallord William Turner 1775-1851

View of San Francesco di Paolo, Rome, with the Colosseum Beyond

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16404

Turner Bequest CXC 8

Joseph Mallord William Turner 1775-1851

Rome from the Gardens of the Villa Mellini, Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16481

Turner Bequest CXC 64

Joseph Mallord William Turner 1775-1851

Moonlight over the Roman Campagna

1819

Watercolour and gouache on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16482

Turner Bequest CXC 65

Joseph Mallord William Turner 1775-1851

The Roman Campagna and Distant Mountains

1819

Watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16469

Turner Bequest CXC 54

Joseph Mallord William Turner 1775-1851

St Peter's and the Castel Sant'Angelo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16405

Turner Bequest CXC 9

Joseph Mallord William Turner 1775-1851

St Peter's and the Vatican, Rome, from the Gardens of the Villa Medici

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16406

Turner Bequest CXC 10

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16407

Turner Bequest CXC 11

Joseph Mallord William Turner 1775-1851

The Arch of Septimius Severus, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16408

Turner Bequest CXC 11 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16409

Turner Bequest CXC 12

Joseph Mallord William Turner 1775-1851

Statue of the Dea Roma in the gardens of the Villa Medici, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16410

Turner Bequest CXC 12 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16411

Turner Bequest CXC 13

Joseph Mallord William Turner 1775-1851

The Roman Forum, Looking South, with the Arch of Septimius Severus and the Column of Phocas

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16412

Turner Bequest CXC 13 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16413

Turner Bequest CXC 14

Joseph Mallord William Turner 1775-1851

Inside the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16414

Turner Bequest CXC 14 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16415

Turner Bequest CXC 15

Joseph Mallord William Turner 1775-1851

Arch of Constantine, Rome, seen from the Colosseum

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16416

Turner Bequest CXC 15 a

Joseph Mallord William Turner 1775-1851

The Roman Forum with the Temple of Venus and Roma, seen from the Arcades of the Colosseum

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16417

Turner Bequest CXC 16

Joseph Mallord William Turner 1775-1851

Ruins of the Palace of the Caesars on the Palatine Hill, Rome, looking towards the Aventine Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16418

Turner Bequest CXC 16 a

Joseph Mallord William Turner 1775-1851

Ruins of the Palace of the Caesars on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16419

Turner Bequest CXC 17

Joseph Mallord William Turner 1775-1851

Interior of the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16420

Turner Bequest CXC 18

Joseph Mallord William Turner 1775-1851

Temple of Venus and Roma, from the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16421

Turner Bequest CXC 19

Joseph Mallord William Turner 1775-1851

Ruins on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16422

Turner Bequest CXC 20

Joseph Mallord William Turner 1775-1851

The Arch of Titus and the Basilica of Constantine, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16395

Turner Bequest CXC 1

Joseph Mallord William Turner 1775-1851

Arch of Constantine and the Temple of Venus and Roma, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16396

Turner Bequest CXC 2

Joseph Mallord William Turner 1775-1851

The Forum, Rome, with the Temples of Vespasian and Saturn

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16397

Turner Bequest CXC 3

Joseph Mallord William Turner 1775-1851

Details from a Bas-Relief, ?Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16423

Turner Bequest CXC 21

Joseph Mallord William Turner 1775-1851

View of the Roman Campagna with the So-called Sedia del Diavolo and the Villa Chigi

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16424

Turner Bequest CXC 21 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16425

Turner Bequest CXC 22

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16426

Turner Bequest CXC 22 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16427

Turner Bequest CXC 23

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16428

Turner Bequest CXC 23 a

Joseph Mallord William Turner 1775-1851

The River Tiber and the Torre Lazzaroni, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16442

Turner Bequest CXC 32

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16443

Turner Bequest CXC 33

Joseph Mallord William Turner 1775-1851

The Tiber and the Ponte Molle, Rome, from the Villa Madama on Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16444

Turner Bequest CXC 33 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16445

Turner Bequest CXC 34

Joseph Mallord William Turner 1775-1851

View of Rome from Tasso's Oak on the Janiculum Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16446

Turner Bequest CXC 34 a

Joseph Mallord William Turner 1775-1851

View of Rome from Tasso's Oak on the Janiculum Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16447

Turner Bequest CXC 35

Joseph Mallord William Turner 1775-1851

?Distant View of the Aventine Hill, Rome with the Arsenale

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16448

Turner Bequest CXC 35 a

Joseph Mallord William Turner 1775-1851

The Southern End of the Janiculum, Rome, with the Villa Lante

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16449

Turner Bequest CXC 36

Joseph Mallord William Turner 1775-1851

View from the Isola Tiberina, Rome, with the Ponte Rotto and the Palatine Hill

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16450

Turner Bequest CXC 37

Joseph Mallord William Turner 1775-1851

Inside the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16451

Turner Bequest CXC 38

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16452

Turner Bequest CXC 39

Joseph Mallord William Turner 1775-1851

View of the Forum, Rome, with the Capitol and San Lorenzo in Miranda

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16453

Turner Bequest CXC 39 a

Joseph Mallord William Turner 1775-1851

Santa Costanza and the Basilica of Constantina, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16454

Turner Bequest CXC 40

Joseph Mallord William Turner 1775-1851

Arch of Constantine, Rome, seen from the Via San Gregorio

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16455

Turner Bequest CXC 41

Joseph Mallord William Turner 1775-1851

Study of Acanthus Leaves, near the Arch of Constantine and the Colosseum, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16456

Turner Bequest CXC 42

Joseph Mallord William Turner 1775-1851

Ruins on the Palatine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16457

Turner Bequest CXC 43

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16458

Turner Bequest CXC 44

Joseph Mallord William Turner 1775-1851

The Confluence of the Tiber and Aniene Rivers with the Torre Salaria, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16459

Turner Bequest CXC 45

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16460

Turner Bequest CXC 46

Joseph Mallord William Turner 1775-1851

?The River Tiber outside Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16461

Turner Bequest CXC 46 a

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16462

Turner Bequest CXC 47

Joseph Mallord William Turner 1775-1851

The So-Called Sedia del Diavolo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16463

Turner Bequest CXC 48

Joseph Mallord William Turner 1775-1851

View of the River Tiber, Rome, looking towards Monte Mario with the Villa Madama and the Villa Mellini

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16464

Turner Bequest CXC 49

Joseph Mallord William Turner 1775-1851

?Distant View of Santa Maria Maggiore, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40584

Joseph Mallord William Turner 1775-1851

View of the Roman Campagna with the Ponte Nomentano and the Sedia del Diavolo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16465

Turner Bequest CXC 50

Joseph Mallord William Turner 1775-1851

The River Tiber and the Torre Lazzaroni, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16466

Turner Bequest CXC 51

Joseph Mallord William Turner 1775-1851

Distant View of Rome from the Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16467

Turner Bequest CXC 52

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and the Castel Sant'Angelo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40577

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and the Castel Sant'Angelo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16468

Turner Bequest CXC 53

Joseph Mallord William Turner 1775-1851

View of Rome from the North, with St Peter's and Monte Mario

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16470

Turner Bequest CXC 55

Joseph Mallord William Turner 1775-1851

View of the River Tiber with Sant'Andrea in Via Flaminia, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16471

Turner Bequest CXC 56

Joseph Mallord William Turner 1775-1851

Details from a Bas-Relief, ?Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16472

Turner Bequest CXC 56 v

Joseph Mallord William Turner 1775-1851

View of the River Tiber with Sant'Andrea in Via Flaminia, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16473

Turner Bequest CXC 57

Joseph Mallord William Turner 1775-1851

View of the River Tiber, with Sant'Andrea in Via Flaminia and the Castel Sant'Angelo, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16474

Turner Bequest CXC 58

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16475

Turner Bequest CXC 59

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome, with St Peter's and Monte Mario in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16476

Turner Bequest CXC 60

Joseph Mallord William Turner 1775-1851

View of the River Tiber from near the Porto di Ripetta, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16477

Turner Bequest CXC 61

Joseph Mallord William Turner 1775-1851

View of the River Tiber from the North, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16478

Turner Bequest CXC 62

Joseph Mallord William Turner 1775-1851

Distant View of a Villa, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16479

Turner Bequest CXC 62 v

Joseph Mallord William Turner 1775-1851

View of the River Tiber from the North, with the Castel Sant'Angelo and St Peter's in the Distance

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16480

Turner Bequest CXC 63

Joseph Mallord William Turner 1775-1851

Distant View of Rome from the North with the Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16483

Turner Bequest CXC 66

Joseph Mallord William Turner 1775-1851

Ponte Molle, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16484

Turner Bequest CXC 67

Joseph Mallord William Turner 1775-1851

View of the River Tiber, North of Rome, with Ponte Molle

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16485

Turner Bequest CXC 68

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16429

Turner Bequest CXC 24

Joseph Mallord William Turner 1775-1851

Sant'Agnese fuori le mura, Santa Costanza and the Basilica Constantiniana, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16430

Turner Bequest CXC 24 a

Joseph Mallord William Turner 1775-1851

Interior of Santa Costanza, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16431

Turner Bequest CXC 25

Joseph Mallord William Turner 1775-1851

Santa Costanza and the Basilica Constantiniana, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16432

Turner Bequest CXC 25 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16433

Turner Bequest CXC 26

Joseph Mallord William Turner 1775-1851

?Distant View of the Aventine Hill, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16434

Turner Bequest CXC 26 a

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16435

Turner Bequest CXC 27

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica and the Porta San Lorenzo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16436

Turner Bequest CXC 27 a

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica, Porta San Lorenzo and Basilica of Santa Maria Maggiore

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16437

Turner Bequest CXC 28

Joseph Mallord William Turner 1775-1851

View of the Aurelian Walls, Rome, with the Temple of Minerva Medica and the Porta San Lorenzo

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16438

Turner Bequest CXC 29

Joseph Mallord William Turner 1775-1851

Blank

1819

None

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16439

Turner Bequest CXC 30

Joseph Mallord William Turner 1775-1851

?View outside the City Walls, Rome

1819

Graphite and watercolour on paper

support: 130 x 255 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16440

Turner Bequest CXC 31

Joseph Mallord William Turner 1775-1851

Study of a Candelabrum in Sant'Agnese fuori le mura, Rome

1819

Graphite and watercolour on paper

support: 255 x 130 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D16441

Turner Bequest CXC 31 a

Joseph Mallord William Turner 1775-1851

Inscription by Turner

1819

Graphite and watercolour on paper

support: 137 x 257 mm

Accepted by the nation as part of the Turner Bequest 1856

Tate D40578

S-book IBC